Patience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.
Known to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.
Presented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.
Recorded at the Playhouse, Kitakyushu Performing Arts Center, November 4th, 2015.
Concert produced by Akiko Miyake/CCA Kitakyushu.
Mixed by Joe Talia at Good Mixture, Tokyo, May 2018.
Mastered and cut by Rashad Becker at D&M, Berlin, December 2018.
Cover photo by Traianos Pakioufakis.
Design by Stephen O'Malley.
Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental
approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation". (The Wire, UK)....more
This is just fantastic. Slow and deliberate with carefully intermingled bouts of controlled electronica, the wife of the late, great composer Luc Ferrari, herself an outstanding artist, delivers these magnificent pieces in conjunction with the knowledgeable and creative expertise of Jim O'Rourke, a man who drew enormous inspiration from Luc. Gavin Hellyer