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Black Truffle

In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button

by Keiji Haino, Jim O'Rourke, Oren Ambarchi

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about

For its 50th release, Black Truffle presents the ninth album from one of the label’s core ensembles, the power trio of Keiji Haino, Jim O’Rourke, and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo’s now-defunct SuperDeluxe, the record’s opening piece drops us immediately into the maelstrom, abruptly cutting into an extended episode of Ambarchi’s pummeling drums, O’Rourke’s fuzzed-out six-string bass, and Haino’s roaring guitar and electronics. Eventually settling into a hypnotic bass and drum groove over which Haino unleashes some almost Ray Russell-eque skittering atonal screech, these opening 13 minutes act as a potent reminder of the trio’s power.

Alongside showcasing the steady development of a unique language for the guitar-bass-drums power trio, the group’s succession of releases over the last decade has demonstrated a constant experimentation with new instruments, which continues here with O’Rourke use of Hammond organ (played at the same time as his roaming, sometimes knotty basslines). On the album’s second piece, the organ plays a key role, furnishing a harmonically rich shimmer over O’Rourke’s angular six-string bass chords, Haino’s distant, chirping electronics and Ambarchi’s crisp cymbal work; arriving somewhere halfway between Albert Marcoeur and Terje Rypdal, this piece is undoubtedly a highlight in the trio’s catalog so far.

The second and third sides are slow-burning, multi-part epics that range from spacious reflection to furious tumult. Where the trio’s previous double-LP set — This Dazzling, Genuine “Difference” Now Where Shall It Go? (BT 030LP, 2017) — was primarily instrumental in focus, here you find Haino’s voice taking the spotlight on the expansive third side, intoning, wailing. and exhorting in Japanese and English over a backdrop that moves from hushed bass and organ atmospherics to rolling toms and cymbal crashes before arriving at an ecstatic finale of searing guitar, tumbling drums and reverb-saturated bass. The fourth side returns to the hypnotic grooves of the opening piece, fixing on a relentless riff and riding it into oblivion under Haino’s roaming psychedelic soloing and jagged chordal slashes.

credits

released September 20, 2019

Keiji Haino - guitar, electronics, vocals
Jim O'Rourke - 6-string bass, hammond organ
Oren Ambarchi - drums, percussion, flute

Recorded live November 11, 2015 at SuperDeluxe, Tokyo by Masahide Ando.
Concert produced by Mike Kubeck.
Mixed March 2019 at Good Mixture, Tokyo by Joe Talia.
Mastered May 2019 at Dubplates & Mastering, Berlin by Rashad Becker.

Cover image by Traianos Pakioufakis.
Design by Lasse Marhaug.

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Oren Ambarchi Australia

Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation". (The Wire, UK). ... more

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